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Jennie McNulty
Jennie McNulty or Jenny McNulty (1866 in Boston, Massachusetts〔("Jennie McNulty" ), 1891 England Census, Ancestry.com (pay to view)〕 – 1927 in London〔("Jennie M Paulet" ), England & Wales, Death Index, 1916–2007, Ancestry.com (pay to view)〕) was an American-born British actress. Beginning her career as a Gaiety Girl, she went on to act in featured roles on the London stage in musical theatre around the close of the 19th century, including comic operas and operettas, Victorian burlesques, farces and Edwardian musical comedies.
==Career==
McNulty began her career as a Gaiety Girl, where she was later remembered as "among the prettiest and most popular of the girls at the Gaiety."〔("Great Queen Street Theatre" ), ''Illustrated Sporting and Dramatic News'', Vol. 60, p. 178 (1903), George S. Maddick〕 Her West End roles included Lady Pattie in ''Adonis'' (1886),〔Brereton, p. 127〕 Lady Betty in the comic opera ''Dorothy'' (1886),〔Brereton, p. 130〕 a small role in the Victorian burlesque ''Frankenstein, or The Vampire's Victim'' (1887),〔Adams, (p. 547 )〕 Siebel in another burlesque, ''Faust up to date'' (1888–1889),〔(''The Illustrated Naval and Military Magazine'' ), Vol. 1, No. 1 (1889), pp. 157, 312, accessed 14 August 2015〕 Letty Lansdell in ''First Mate'' (1888–1889),〔 Scott, (p. 104 )〕〔 Una Foxwood in ''The Gold Mine; or, the Miller of Grenoble'' (1890),〔Scott, (p. 129 )〕〔Adams, (p. 591 )〕 and Polly in ''The Bookmaker'' by J. W. Pigott (1890). Cecil Howard wrote in ''The Theatre'' that her performance as Polly was "as good ... as one could wish ... her bravado, her insolent vulgarity, were only equalled by the little exquisite touch of pathos towards the close".〔Capes and Eglington, (p. 139 ); and (''The Freemason'' ), Vol. XXIV, 9 August 1890, p. 80, accessed 14 August 2015; 〕 She played Mrs. Huntley in ''Sweet Nancy'' (1890)〔Capes and Eglington, (p. 258 ); and ''The Times'', 18 October 1890, p. 8〕 and Corisande in Ivan Caryll's version of ''Ma Mie Rosette'' (1892).〔(''Artist and Journal of Home Culture'' ), Vol. 13, Wm. Reeves (1892), p. 379〕〔"The Theatres", ''The Times'', 27 December 1892, p. 6; and "''Ma Mie Rosette'', at the Globe Theatre", ''Illustrated London News'', 26 November 1892, p. 669〕
In 1893–1894, she played the phony "Comtesse De La Blague" in ''Morocco Bound'',〔"Theatres", ''The Observer'', 14 May 1893, p. 4; (''The Academy – a weekly review of literature, science and art'' ), January–June 1894, Vol. XLV, No. 1131, 6 January 1894, p. 2, accessed 14 August 2015; and ''The Saint Paul Daily Globe'', 4 May 1896, p. 9c〕 in which role she was called "bright and engaging".〔(''Artist and Journal of Home Culture'' ), Vol. 14 (1893), p. 381, Wm. Reeves, accessed 31 August 2015〕 In 1894 she married William Victor Paulet.〔''The Sketch: A Journal of Art and Actuality'', Vol. 24, Ingram brothers (1899), (p. 216 )〕 In 1895, she was elected as head of the Choristers' Association in London.〔Davis, p. 66 〕 In 1898, she appeared in ''A Greek Slave''.〔 and the following year she received good notices as Martha in ''My "Soldier" Boy''.〔(''Truth: A Weekly Journal'' ), Vol. 45 (1899), p. 85; and "Criterion Theatre", ''The Times'', 4 January 1899, p. 4〕〔("A Laugh at the 'Cri'" ), ''Punch'', Vol. 116 (1899), p. 69, F. C. Burnand ''et al.'' (eds.)〕 In 1903, she played Lady Flareup in the farce ''Dumb-bell Daisy''.〔Wearing, J.P., ''The London Stage 1900–1909'' (2nd ed. Rev.), Plymouth, U.K.: Rowman & Littlefield (2013), pp. 156–157 ISBN 9780810892941〕 After this, she continued to perform in London and on tour with other George Edwardes companies.〔"Prince's Theatre", ''The Manchester Guardian'', 26 April 1905, classified advertisements, p. 1〕
She died in London in 1927, aged 60.
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